{"id":11287,"date":"2023-05-15T11:52:33","date_gmt":"2023-05-15T08:52:33","guid":{"rendered":"https:\/\/mkcnamai.lt\/?p=11287"},"modified":"2023-05-05T11:57:37","modified_gmt":"2023-05-05T08:57:37","slug":"dialogai-su-ciurlioniu-mirazo-atspindziai-graiku-pianiste-athina-giliopoulou","status":"publish","type":"post","link":"https:\/\/mkcnamai.lt\/en\/dialogai-su-ciurlioniu-mirazo-atspindziai-graiku-pianiste-athina-giliopoulou\/","title":{"rendered":"\u201eDialogai su \u010ciurlioniu. Mira\u017eo atspind\u017eiai\u201c – graik\u0173 pianist\u0117 Athina Giliopoulou"},"content":{"rendered":"

#Dialogaisu\u010ciurlioniu<\/a><\/p>\n

\"\"<\/p>\n

M. K. \u010ciurlionio nam\u0173<\/a> ne vienerius metus vykdomo muzikinio projekto \u201eDialogai su \u010ciurlioniu\u201c<\/a> kvietimu Vilniuje, pa\u017eymint miesto 700-\u0105j\u012f gimtadien\u012f, gegu\u017e\u0117s 20 d., \u0161e\u0161tadien\u012f, 16 val. sve\u010diuosis graik\u0173 pianist\u0117 Athina Giliopoulou.<\/strong><\/p>\n

Specialiai koncertams Lietuvoje parengt\u0105 pianist\u0117s koncertin\u0119 program\u0105 \u201eDialogai su \u010ciurlioniu. Mira\u017eo atspind\u017eiai\u201c<\/strong> sudarys M. K. \u010ciurlionio ir kit\u0173 kompozitori\u0173 \u2013 J. Brahmso, Ch. V. Alkano, B\u00e9la Bart\u00f3ko, M. Kalomoireso,  F. Chopino \u2013 opusai, kuriuose galima atsekti svarbias estetines ir filosofines paraleles su lietuvi\u0173 kompozitoriumi.<\/p>\n

Athina Giliopoulou,<\/span> gyvenanti ir dirbanti Vienoje, Austrijoje, groja visais klavi\u0161iniais instrumentais: klavesinu, klavyru ir fortepijonu. Jos repertuare \u2013 k\u016briniai nuo ankstyvojo baroko iki \u0161iuolaikin\u0117s muzikos. Atlik\u0117ja koncertavo ir kaip solist\u0117, ir kaip kamerin\u0117s muzikos kolektyv\u0173 nar\u0117 Austrijoje, Pranc\u016bzijoje, Vokietijoje, Slovakijoje, Kroatijoje, Egipte, Graikijoje, dalyvavo daugelyje tarptautini\u0173 festivali\u0173.<\/p>\n

Athina Giliopoulou studijavo \u0161iuolaikin\u012f fortepijon\u0105, klavesin\u0105 ir klavyr\u0105 Muzikos ir scenos men\u0173 universitete Vienoje, taip pat J.-J.-Fuxo konservatorijoje Graco mieste, \u0161iuolaikin\u012f fortepijon\u0105 ir muzikos teorij\u0105 Salonikuose. Visas savo studijas atlik\u0117ja baig\u0117 su pagyrimais.<\/p>\n

Koncerto programa:<\/p>\n

J. Brahms (1833 \u2013 1897)
\n<\/strong>Intermezzo<\/em> op. 117, Nr. 1<\/p>\n

M.K. \u010ciurlionis (1875 \u2013 1911)
\n<\/strong>Sonata in F-dur, Andante<\/em> (2 dalis)
\nPreliudas a-moll, VL 230 
\n\u201eMira\u017eas\u201c, VL 175<\/p>\n

Ch. V. Alkan (1813 \u2013 1888) <\/strong> 
\nPreliudas \u201ePami\u0161\u0117l\u0117s daina ant j\u016bros kranto\u201c<\/p>\n

M. K. \u010ciurlionis (1875 \u2013 1911)
\n<\/strong>\u201eMotule mano\u201c, VL 340 <\/p>\n

B. Bart\u00f3k (1881 \u2013 1945)
\n<\/strong>Allegro molto<\/span><\/i> (3 dalis) i\u0161 <\/span>siuitos o<\/span>p. 14 <\/span><\/span><\/p>\n

M. Kalomores<\/strong> (1883 \u2013 1962)
\nNychtiatiko<\/span><\/i> (Noktiurnas) <\/span>o<\/span>p. 4, N<\/span>r<\/span>. 1<\/span><\/p>\n

M. K. \u010ciurlionis (1875 \u2013 1911)
\n<\/strong>Preliudas h-moll, VL182a<\/p>\n

F. Chopin (1810 \u2013 1848)
\n<\/strong>Noktiurnas c-moll, op. 48, C minor<\/p>\n

D\u017eiaugiam\u0117s gal\u0117dami pakviesti klasikin\u0117s muzikos klausytojus \u012f dar vien\u0105 nuostab\u0173 projekto \u201eDialogai su \u010ciurlioniu\u201c koncert\u0105 vyksiant\u012f M. K. \u010ciurlionio namuose (Savi\u010diaus g. 11, Vilnius) gegu\u017e\u0117s 20 d. 16 val.<\/p>\n

Projekto \u201eDialogai su \u010ciurlioniu\u201c koncertai yra nemokami<\/strong>.
\nProjekt\u0105 remia Lietuvos kult\u016bros taryba<\/a>.
\nKoncertas yra Vilnius 700<\/a> programos dalis.<\/p>\n

Durys atidaromos 20 min. prie\u0161 koncert\u0105.
\nI\u0161ankstin\u0117 registracija nevykdoma.
\nPrasid\u0117jus koncertui, v\u0117luojantys klausytojai ne\u012fleid\u017eiami.<\/p>\n

Facebook<\/em><\/a><\/p>\n

\u201eDialogai su \u010ciurlioniu\u201c koncert\u0173 ciklu M. K. \u010ciurlionio namai Vilniuje siekia \u012ftraukti u\u017esienio \u0161ali\u0173 atlik\u0117jus \u012f Lietuvos muzikos pasaul\u012f: \u012ftraukdami \u010ciurlionio k\u016brinius \u012f savo repertuar\u0105, menininkai garsina m\u016bs\u0173 \u0161alies kult\u016br\u0105 ir, \u017einoma, did\u012f k\u016br\u0117j\u0105. Tai vienas pagrindini\u0173 \u017eingsni\u0173, siekiant i\u0161likti aktualiais ir b\u016bti matomais u\u017e t\u0117vyn\u0117s rib\u0173, o muzika \u2013 tai viena universaliausi\u0173 kalb\u0173, leid\u017eian\u010di\u0173 \u0161iuos tikslus \u012fgyvendinti. Kaip yra sak\u0119s pats \u010ciurlionis, \u201emuzika \u2013 tai Dievo pasiuntinys, atsi\u0173stas judinti \u0161velniausias ir geriausias m\u016bs\u0173 sielos stygas, raminti \u0161irdis, suvargusias gyvenimo r\u016bpes\u010diuose, guiti i\u0161 j\u0173 melus, nedorybes, pavydus, neapykantas\u201c.<\/p>\n

 <\/p>\n

M\u016bs\u0173 veikl\u0105 taip pat galite sekti:
\n<\/em>Facebook<\/strong><\/a> | <\/strong>Instragram<\/a><\/strong> | <\/strong>Youtube<\/a> | \u010cNaujienlai\u0161kis<\/a><\/strong><\/p>\n

 <\/p>\n

Kiti susij\u0119 straipsniai:<\/em><\/p>\n

LRT \u201ePakeliui su klasika\u201c: Kuo \u012fdom\u016bs pianistai Antonello D\u2019Onofrio ir Claudio Soviero?<\/span><\/a><\/p>\n

Pavasariniai \u201eDialogai su \u010ciurlioniu\u201c: \u0161velnus sapnas ir XX a. prad\u017eia<\/a><\/p>\n

\u201eDialogai su \u010ciurlioniu\u201c kvies pasinerti \u012f \u0161veln\u0173 vakarin\u012f sapn\u0105 Pary\u017eiuje<\/a><\/p>\n

\u201eDialogai su \u010ciurlioniu\u201c: prarasto pasaulio ar laiko ilgesys<\/a><\/p>","protected":false},"excerpt":{"rendered":"

#Dialogaisu\u010ciurlioniu M. K. \u010ciurlionio nam\u0173 ne vienerius metus vykdomo muzikinio projekto \u201eDialogai su \u010ciurlioniu\u201c kvietimu Vilniuje, pa\u017eymint miesto 700-\u0105j\u012f gimtadien\u012f, gegu\u017e\u0117s 20 d., \u0161e\u0161tadien\u012f, 16 val. sve\u010diuosis graik\u0173 pianist\u0117 Athina Giliopoulou. Specialiai koncertams Lietuvoje parengt\u0105 pianist\u0117s koncertin\u0119 program\u0105 \u201eDialogai su \u010ciurlioniu. Mira\u017eo atspind\u017eiai\u201c sudarys M. K. \u010ciurlionio ir kit\u0173 kompozitori\u0173 \u2013 J. Brahmso, Ch. V. Alkano, B\u00e9la Bart\u00f3ko, M. Kalomoireso,  Continue Reading<\/a><\/p>","protected":false},"author":1,"featured_media":11288,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11287","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-be-kategorijos","cat-1-id"],"_links":{"self":[{"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/posts\/11287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/comments?post=11287"}],"version-history":[{"count":1,"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/posts\/11287\/revisions"}],"predecessor-version":[{"id":11289,"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/posts\/11287\/revisions\/11289"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/media\/11288"}],"wp:attachment":[{"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/media?parent=11287"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/categories?post=11287"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/tags?post=11287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}