{"id":5503,"date":"2020-04-22T11:52:09","date_gmt":"2020-04-22T09:52:09","guid":{"rendered":"https:\/\/mkcnamai.lt\/?p=5503"},"modified":"2020-04-22T11:52:36","modified_gmt":"2020-04-22T09:52:36","slug":"skulpturos-sv-pranciskussukurimo-istorija","status":"publish","type":"post","link":"https:\/\/mkcnamai.lt\/en\/skulpturos-sv-pranciskussukurimo-istorija\/","title":{"rendered":"Skulpt\u016bros \u201e\u0160V. PRANCI\u0160KUS\u201c suk\u016brimo istorija"},"content":{"rendered":"

\u201e\u0160V. PRANCI\u0160KUS\u201c, 1966 m., alebastras.<\/p>\n

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\u201e\u0160V. PRANCI\u0160KUS\u201c, 1966 m., alebastras.<\/p><\/div>\n

Per ilgus emigracijos metus dailininkas A. Mon\u010dys neprarado gimt\u0173j\u0173 \u0161akn\u0173, subrandino savo stili\u0173 ir visada puosel\u0117jo laisv\u0105 k\u016brybos dvasi\u0105. Dvasia tapdavo pirminiu vis\u0173 menininko darb\u0173 pagrindu \u2013 akmuo, medis, molis \u2013 pabildavo gyvybe, meile, gro\u017eiu.<\/p>\n

Susira\u0161in\u0117jimas d\u0117l naujos skulpt\u016bros tarp A. Mon\u010dio ir vienuolyno vadovybei prasid\u0117jo 1964 m. i\u0161eivijos pranci\u0161konams u\u017esakius \u0160v. Pranci\u0161kaus skulpt\u016br\u0105 naujai ba\u017eny\u010diai \u2013 Kenebankporto (Meino valstija) vienuolynui.<\/p>\n

\u201eApie pusantr\u0173 met\u0173 susira\u0161in\u0117jau su T\u0117vu L. Andriekumi. Ilgai nesutar\u0117me, kaip daryti skulpt\u016br\u0105... Perskai\u010diau visk\u0105 apie \u0160v. Pranci\u0161k\u0173, k\u0105 radau ir k\u0105 gal\u0117jau. Pasidariau gal didesnis pranci\u0161konas negu jie. T\u0117vui Leonardui pasakiau, kad \u0160v. Pranci\u0161kaus su barzdele, su pauk\u0161\u010diuku ant rankos nedarysiu. Toki\u0173 jau pridaryta. Jis man atra\u0161o, kad nors kiek b\u016bt\u0173 vienuolio fig\u016br\u0117l\u0117s... Sakau, kad mes garbinam \u0160v. Pranci\u0161k\u0173 ne d\u0117l jo k\u016bno, bet d\u0117l dvasios: jis i\u0161liko savo dvasia, o ne k\u016bnu. Bet d\u0117l \u0161ito mes gin\u010dijom\u0117s pusantr\u0173 met\u0173. Pagaliau jiems, matyt, nusibodo. \u201eDaryk, kaip nori\u201c, \u2013 pasak\u0117 t\u0117vas Leonardas. Kai i\u0161kaliau skulpt\u016br\u0105 \u0160v. Pranci\u0161kaus garbei, pranci\u0161konai man para\u0161\u0117: \u201eTave ap\u0161viet\u0117 \u0160v. Dvasia\u201c, \u2013 skulpt\u016bros suk\u016brimo istorij\u0105 prisimin\u0117 A. Mon\u010dys.<\/p>\n

\u201e\u0160v. Pranci\u0161kaus tu\u0161tumos siluetas i\u0161 vienos pus\u0117s atrodo man profilinis \u2013 \u0161ventasis i\u0161ties\u0119s de\u0161in\u0117n abi rankas, lyg ka\u017ek\u0105 laimina. I\u0161 kitos pus\u0117s fig\u016brinis \u0161e\u0161\u0117lis teikia \u012fsp\u016bd\u012f, kad \u0160v. Pranci\u0161kus stovi apkabin\u0119s akmenis. \u017di\u016brint i\u0161 kitos pus\u0117s atrodo, kad akmenys apkabin\u0119 \u0160v. Pranci\u0161k\u0173. Toks variacij\u0173 \u012fdomus gausumas auk\u0161tai i\u0161kelia \u0161\u012f k\u016brin\u012f. Jame nieko konvencionalaus ar banalaus. Akmuo su savo tu\u0161tuma alsuoja gyvybe, meile, gro\u017eiu...\u201c \u2013 A. Mon\u010diui ra\u0161\u0117 L. Andriekus, i\u0161 jo gav\u0119s skulpt\u016bros studijinio maketo nuotrauk\u0105.<\/p>\n

 <\/p>\n

Taip pat daugiau apie \u010ciurlionio namuose eksponuojam\u0105 A. Mon\u010dio parod\u0105 \u201eMeniniai pasisveikinimai\u201c<\/a> skaitykite \u010cIA<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"

\u201e\u0160V. PRANCI\u0160KUS\u201c, 1966 m., alebastras. Per ilgus emigracijos metus dailininkas A. Mon\u010dys neprarado gimt\u0173j\u0173 \u0161akn\u0173, subrandino savo stili\u0173 ir visada puosel\u0117jo laisv\u0105 k\u016brybos dvasi\u0105. Dvasia tapdavo pirminiu vis\u0173 menininko darb\u0173 pagrindu \u2013 akmuo, medis, molis \u2013 pabildavo gyvybe, meile, gro\u017eiu. Susira\u0161in\u0117jimas d\u0117l naujos skulpt\u016bros tarp A. Mon\u010dio ir vienuolyno vadovybei prasid\u0117jo 1964 m. i\u0161eivijos pranci\u0161konams u\u017esakius \u0160v. Pranci\u0161kaus skulpt\u016br\u0105 naujai Continue Reading<\/a><\/p>","protected":false},"author":1,"featured_media":5505,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5503","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-be-kategorijos","cat-1-id"],"_links":{"self":[{"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/posts\/5503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/comments?post=5503"}],"version-history":[{"count":5,"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/posts\/5503\/revisions"}],"predecessor-version":[{"id":5510,"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/posts\/5503\/revisions\/5510"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/media\/5505"}],"wp:attachment":[{"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/media?parent=5503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/categories?post=5503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mkcnamai.lt\/en\/wp-json\/wp\/v2\/tags?post=5503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}